Robert Fripp

Robert Fripp's Diary

Sunday 17 August 2008

Loews Midtown Motor Inn th

10.52

#730, Loew’s Midtown Motor Inn, 8th. Avenue between 48th. & 49th., NYC.

17aug1a.jpg

Waking from a dream of being hunted. Why the subject matter of the dream, I wonder? The good news: the Minx was in my dreams.

Across the block to a coffee provider I…

17aug2a.jpg

II…

17aug3a.jpg

III…

17aug4a.jpg

IV…

17aug5a.jpg

V…

17aug6a.jpg

… returning to morning reading…

17aug7a.jpg

14.34  Lotsa computing.

17aug8a.jpg

15.26  Lobby Call 15.40.

17aug9a.jpg

Off to the Nokia for the final performance of the Crimson Celebration Tour.

23.44  The venue I…

17aug10a.jpg

II…

17aug11a.jpg

III…

17aug12a.jpg

IV…

17aug13a.jpg

V…

17aug14a.jpg

VI…

17aug15a.jpg

VII…

17aug16a.jpg

VIII…

17aug17a.jpg

IX…

17aug18a.jpg

X…

17aug19a.jpg

XI…

17aug20a.jpg

XII…

17aug21a.jpg

XIII…

17aug22a.jpg

XIV…

17aug23a.jpg

XV…

17aug24a.jpg

XVI…

17aug25a.jpg

XVII…

17aug26a.jpg

XVIII…

17aug27a.jpg

XIX…

17aug28a.jpg

XX…

17aug29a.jpg

XXI…

17aug30a.jpg

XXII…

17aug31a.jpg

XXIII…

17aug32a.jpg

XXIV…

17aug33a.jpg

XXV…

17aug34a.jpg

XXVI…

17aug35a.jpg

XXVII…

17aug36a.jpg

Around 19.00 Hellboy Tom & myself had a sense of something off. I feel offness in my heart. Usually, this particular feeling registers an intention that is positively negative. Perhaps directed ill-will, resentment (such as was ongoing with certain former members of Crim who nevertheless came to shows in London); someone coming to disrupt the event, for whatever reason; maybe a bootlegger (the euphemism taper doesn’t convey the non-consensual nature of their act, which is to take something from the performance which is not theirs to take, and then to deny the damage done).

Introductory Soundscaping prior to the Crimson set, but this sense of something off continued into the performance for perhaps 30-40 minutes. Then, gradually, the music took over the centre & the performance strengthened on the inside. On the outside, the performance was strong for most of the show.

A very supportive audience, standing & coming to the front of stage for the final encores. A lone woman stood in front of Adrian for Walking On Air; as would once have been said, too muched by the song.

The band stood & acknowledged the audience. When the flashes started going off, I left the stage. There will be posts: Fripp walked off the stage when his Band Buddies were waving to the audience! He disrespected me! What a creep! The matter is simple: I’m not there for the photo session. When photography gets going, so do I. Surely, no surprises here.

Afterwards, a band-centering & a glass of champagne together. We have enjoyed this tour.

Conversations with AQM Hellboy Tom & FQM Terry on the way out of the venue. Both felt something very off before the audience-line entered the theatre. Terry felt the difference when leaving the SoundSculptured Space & going out into the theatre & along the line.

Music has the power to reconcile disruption, but it doesn’t act like a lobotomy: our acceptance of what’s going on is necessary.

Back to the hotel & packing I...

17aug37a.jpg

II…

17aug38a.jpg

Final night views I…

17aug39a.jpg

II…

17aug40a.jpg

This King Crimson Celebration Tour is completed.

DISCOVER THE DGM HISTORY
.

1940s
1950s
1960s
1970s
1980s
1990s
2000s
2010s
.